Danae Theodoridou

Performance and Artistic Research

Writings

2022

PUBLIC_ING: Practising Democracy Through Performance

Nissos Academic Publishing

2021

Curation as Construction Site for Artificial Social Imaginaries

In Tanurovska-Kjulavkovski, B. and Dimitrov, S., eds. Curating In Context. Skopje: Lokomotiva-Centre for New Initiatives in Arts and Culture, 2021, 24-35.

2020

Two Responses

In Weber-Krebs, D. And the Doors Opened Again, artistic publication co-produced by: Theatergarasjen, STUK Kunstencentrum, Kunstencentrum Buda, Vooruit, FAR/festival des arts vivants and KASK/School of Arts.

2020

Six fragments on the practice of residencing and other dwellings

Locomotiva

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2017

HOW TO TALK TO ALIENS? and other questions on social imaginaries of now and then

Warehouse

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2017

The Catalytic Function of Dramaturgy: Working on Actions in Choreographic Processes

In Butterworth, J. & Wildschut, L., eds. Contemporary Choreography: A Critical Reader. Oxon: Routledge 2017:201-214.

2017

The Practice of Dramaturgy: Working on Actions in Performance

Valiz, Antennae Series.

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2017

Art and Social Alternatives – Dialectics between the instituted and the instituting social imaginary in a time of no alternative

Ιn the frame of the conference ‘Cornelius Castoriadis, 20 years after’, Panteio University, Athens.

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2016

“How are things there? I mean for the small people?”

In ‘The Wonderful Workspace of the Future: a collection of 151 artists’ visions’. Kortrijk, Belgium: Kunstencentrum BUDA.

2016

I’m Sleeping – the metaphor of sleep as a dramaturgical directive in performance

Performance Research 21.1 (2016): 84-88.

2015

Food Politics – in conversation with Christophe Meierhans

Etcetera No 143 (December 2015): 18-22.

2015

Syros-a bet on the potentiality of cooperation

Co-editor of “Syros-a bet on the potentiality of cooperation”. Maska Performing Arts Journal – Intellect Ltd. No. 169-171 (Spring-Summer 2015).

2015

Uncertain Fragments

Maska Performing Arts Journal – Intellect Ltd. No. 169-171 (Spring-Summer 2015): 86-91.

2014

The Lion or Dancing the Linguistic Animal

Choreographic Practices 5.2 December 2014: 199-210.

2013

On the Screen Floor – exploring dances of digital language and writing

Performance Research 18.5 (2013): 129-136.

2013

Playing Dead

Οn The Connector by Aleksandra Janeva Imfeld, for Field Notes, workspacebrussels, December ’13.

2013

In This Writing Place

Οn This Place by Sara Manente and Marcos Simoes, for Field Notes, workspacebrussels, December ’13.

2013

Brouillon – Sketches of moving with others

Maska Performing Arts Journal – Intellect Ltd. No. 159-160 (Winter 2013): 96-102.

2013

A touching journey in four parts

On T-Dance by Vera Tussing, for Field Notes, workspacebrussels, June 2013.

2013

Waking at 5am: Irrelevance and the Look of the Foreigner as Practices of Resistance in Contemporary Times

Maska Performing Arts Journal- Intellect Ltd. No. 155-156 (Summer 2013): 50-57.

2012

An Hour Brings What Time Cannot – Timed Thoughts on a Greek Saying

In Maska –Intellect Ltd.

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2010

What is it?

(W)reading Performance Writing. Rachel Lois Clapham, Ed. London: LADA, 2010.

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